14th december 2008: Distillerie di Malto had its 20th birthday

There never was an exact birth date. We only remember that the band was born in 1988, as much as 20 years ago. If we think about it, many, many things have changed ever since. The Berlin Wall was still standing, De Andrè was alive and kicking and the mobile phone did not take the upper hand over the minds of the Italians yet. Our personal lives run across roads that nobody could never have previewed before. Really, perhaps the only thing we continued to perform uninterruptedly, even if not always with the same continuity but certainly with the same passion and the same enthusiasm, is just playing with DdM.

We have chosen a normal Sunday of December, the 14th; we patiently scraped together the telephone numbers of the old distillers, of the hosts we had in the concerts, of the fiercer fans, of the sound workers, of the supporters, in short, those who were members of the family; we collected all the photos taken in twenty years of music, all the video that, as nippers, portrayed us behind the instruments, the reviews obtained with "Il manuale dei piccoli discorsi", all the important mails, the posters of the several gigs and, with the untiring job of the wives and that destructive one of the sons, we organized, in the premises of the cooperative of Rogatti, a great party with porchetta, pizza, cakes, wine, sparkling wine and candles, in order to celebrate the incredible, unusual, improbable twentieth birthday of Distillerie di Malto!

It was an extraordinary night. We saw a lot of faces we hadn't been seeing for a long time. We enjoyed ourselves, we laughed, drunk, ate, reminded… But it was not a nostalgic evening at all, even if one could have forecast it. On the contrary, being Distillerie di Malto still most active, even if with their biblical rhythm and their times, it was simply like a usual birthday party of a boy of 20. In fact, the guests had also the honor to hear in preview the original recording of “Rovescia l'immaginazione e scopri la realtà” before the final mixing. This instrumental piece will be part of "Suono!" the new work of DdM which will be released on the next year.

Distillerie di Malto seizes the day to sincerely thank all the attendees and to embrace all those which, in their own way, are been members of the family, contributing to make the cause of the group a more than twenty-year story. Thanks!

20 years!

8th february 2007: first gig with Alessio

It was a fleeting but very important show, that of the presence in the regional selection of Arezzo Wave Love Festival of DdM. They not only played two unpublished songs which will be present in the new disc, but the played for the first time with the current line-up (Fabiano, Fabrizio, Marco, Giuliano and Alessio), showing a full blown harmony at once.

 

2006: the stand-by pied piper

Between the news of the team there is that of the defection of Luca on flute. His wasn't a really farewell but, as his physical distance from the band and then the impossibility of giving continuance and depth to his contribution, now he's a bench player.

Yes, he's a stand-by flutist. He's not a member of DdM, but he's an off-base and we hope to play with him again in some occasion.

 

2006: Alessio the great

Distillerie di Malto has got a new drummer: the great Alessio Palizzi! He's a young boy (compared with the others he's a new-born baby!), but he's a delicious man, a big musician...in sum he is great, that's that!

Now, with him the band distil pure prog rock again, and the next step is the new disc...

 

18th august 2005: turning-point

Maurizio Di Tollo is no more the drummer of Distillerie di Malto!

The hard decision, taken by all the components, arrived with the gradual consciousness that the feeling, which had been linking ourselves together since over a decade, was lessened.

Giuliano synthesized well: a love is finished. Nothing else.

It's of no use to cling to memories, to remember all the things we did together, to throw down melancholy. Now we have just to roll up our sleeves and go forward. The love for the music impose us that and Maurizio know it very well.

We could have spoken to the infinite, but maybe this was the only thing to say.

 

2005: ...and then they were alone...

We needed a producer. Someone who helped us in continuing and improving. We were like children who need the teeth to eat.

At a certain time it seemed we had find that thrust. The tooth was born!

But, this was only an impression. The tooth decayed. We don't know why, but the thing was stopping us. Now that tooth prevented the child to eat.

Then, in a normal day, the tooth fell down.

We don't know if it's better to rejoice or to regret. We only know that Distillerie di Malto continues and will continue to play, with or without a producer, just as they've always done.

The child got used to eat withouth teeth and he don't need cariuos ones.

p.s.

Franz adieu...

 

30th january 2004: first interely DdM prog gig!

Distillerie di Malto plays only its music in a concert. In the past, their shows always forecast some covers of the great prog groups by which they're inspired. After little apparitions made by original pieces, they were able to test the public's taste, addressing it, not towards a simply entertaining evening, but to a truly and original musical proposal. It was one of the objects always followed by the band, and DdM will continue in pursuing it, if possible. 2004 opens with this new...

 

Distillatori con Franz Di Cioccio21st settembre 2003: BIG WAVE FEST

A dream comes true! Distillerie di Malto opens the concert of PFM!. It has happened the 21th of september 2003 in Vercelli, Piazza Zumaglini. Together with Finisterre and StereoKimono (the other two bands "held" by Franz Di Cioccio), partecipate to the BIG WAVE FEST, before the show of the most important italian prog band of ever.

The festival organized by D&D Comunicazione, based on the "great wave of imaginary music", was an extraordinary possibility for the group of Ortona, that for the first time performed in front of a numerous and cautious audience like that of Premiata Forneria Marconi.

The band proposed the new pieces that complete the cd which is next to go out "Il nuovo manuale dei piccoli discorsi", plus Aria e vento.

The disc will be produced by Di Cioccio's label which has got a new name:"Immaginifica"

 

15th June 2002: the label!

Distillerie di Malto has got a label at last! It is called Fermenti Prog by Franz and Iaia Di Cioccio. Distillatori con Franz Di CioccioThay can hardly believe that, after years spent in rehearsing and playing, in the dark about the entire world, the “distillers” managed to achieve the most important character of Italian rock of ’70, the one who exported (and export!) the Italian prog in the world: Franz Di Cioccio! Just him, the “wolf of Abruzzo”, have heard “Il manuale” and have discovered a little light that can shine in the air, by inserting the band as the first group in his new-born prog label: Fermenti Prog, Milan.

 

november 2001: Giuliano

On the early '93 he "distilled" with the band yet, so he was everything but unknown to the others. Since thenm, he has moved into different artistic directions, that brought him to converge towards a way that Distillerie di Malto had always covered. The first listening to "The manual" was the keystone of the definitive attraction towards the band.

A new bassist needed, after Salvatore. "Distillers" liked him, Fabrizio was collaborating with him in one of his musical projects, he often partecipated to the non-musical initiatives of DdM (suppers above all!), he liked prog rock, so it was easy to choose: Giuliano Torelli is the official bassist of Distillerie di Malto.

 

october 2001: Salvatore: separation by mutual consent

Salvatore is a brilliant boy having much interests. To Distillerie, playing and sharing experiences with him had always been stimulating. But they knew, progressive rock wasn't "his" musical genre. Maybe both him and the rest of the band perceived that, sooner or later, the moment to part would becoming inevitable. Just after the recording of the disc, and with new and important ways to cover, this difference of ideas, besides only and exclusively musical ideas, will began to seem more clean and remarkable.

So, on october, Fabrizio "summons" him into his house. With few words and some look the two have already understood: the moment to cover different ways has arrived. Obviously, even him felt he was imprisoned into a music he didn't love so much, and he wanted to test new and more personal ideas. But, with such clearness and kindness that make people intelligent, he has proposed to help the group in every moment it had to need a hand, as, however, he had always done.

 

2001: first studio recording

They had been felling the need to testify the original work o f the band, with a concrete support, since much time. Thet thought about it seriously in ’98.  In ’99 the hopes directed towards the recording of a live performance in a contest. But the result betrayed the expectations. Neither the simbology of the last year of the millennium succeded to keep the project took-off. The all  thing required a more seriuos obligation the the explication of such simple needs. In the end they choose to dedicate 2001 exclusively to record their first CD. With theMarco enthusiasm and obstinacy that mark  Distillerie di Malto, and after months of exhausting rehearses and long meetings to chose the title and the cover, the 23, 24 and 25 May the band, for the first time, enter in a studio. Il manuale dei piccoli discorsi it’s the result. The eldest son. Listen to it and let others listen. You’ll reap most genuine fruits of thier music.

Fabiano

 

MaurizioFabbrizioFabrizio

 

 

 

 

16th january 2001: the advent of Luca

In December Fabrizio had to do a contest fro songwriters in Sulmona. The band (with Giuliano Torelli on bass) accompanied him. But the song they proposed needed the flute. A friend of Maurizio (Andrea Viola) spoke to him of Luca Latini played it. They called him and they together got on very well soon. The contest run well, even if Fabrizio did not win at all. But the whole band had always yearned for the flute. The presence of an alternative instrument to traditional rock, obviously opens musical horizons (see the greatest progressive bands like Jethro Tull and Gentle Giant for instance), till becoming one of the prerogatives of the genre. In the case of DdM the thing was so clear that, an hard share of the original material was even writed also for flute. Considering Luca’s exquisiteness together with his enthusiasm to try on it they involved him soon. On 16 January 2001 at the “Andriano Pub” of Atessa, the first six element formation concert was played. The same team which is responsable of the first studio recording.

 

30th october 1998: first live execution of “Supper’s ready”

“Supper’s ready” of Genesis, the most beautiful and complete progressive opera of all times, was been a craze of the band since a long time. They attempted to play it long time before, when Andrea was still in, with the help of some other musicians coming from Ortona (Ezio Moretti on guitar, Gianluca Ciampichetti on keyboards and Sergio Civitarese on bass). Ma the project didn’t go well. They did never manage to play it live. The song is 23 minutes long, and with the orchestration shown in the original, it seemed to be impossible to reproduce on stage. On the contrary, in 1998, the ideal formation (Fabiano, Fabrizio, Marco, Maurizio e Salvatore) did manage to play it, proposing it exactly at the “Pop Off” the 30th of October. The sensation was extraordinary. Since then, the song has always been remaining in the cover list of Distillerie di Malto. The pleasure to playing it always remain immense.

 

20th december 1996: first concert as supporters

“Il Parto delle Nuvole Pesanti”, internationally well-known, was coming to Ortona. A manager of them, Massimo Cacciacarne, is just from Ortona, primo concerto "spalla" and he is a good friend of Marco. They asked him if they could open the concert. Thay could!  They played for almost an hour to the Odeon theathre before ”Il Parto”. It was a good experience. They gained consents even by the members of the band.

 

14th december 1995: Maurizio's first concert

Maurizio Di Tollo, since some times, had been pressing Fabrizio, long running time friend (at the age of 10 and 12 they formed a band called “UFO”) to play with Distillerie, knowing the various problems Andrea gave. Fabrizio was very well stimulated from the idea. The rest came by itself… We can say that Andrea’s leaving primo concerto con Maurizio gave a new impulse to the band. Maurizio was always been a good appreciate drummer and, the most important thing, he loved prog rock very very much. It was just him the drummer they was searching. Concert season at least came. The mythical “Pop Off” in Cepagatti (PE) gave them ospitality without hesitation. Salvatore, whom band had already played there, introduced the managers Silvio and Enzo to the others. The 14th of December 1995 the first act was played. It was the first of a long series.

 

30th december 1994: Andrea's last concert

Some frictions were created between Andrea and the rest of the band. It seemed he wonted to experiment with his instrument for his personal own, not for the band’s needs. Maybe, he just tired to play progressive rock. The four-monthly absences of Salvatore cheer the march up. 1994 was dedicated, above all, to improve old pieces ultimo concerto con Andreaand to insert new covers finding the best number of pubs to play in. So, the 30th of December 1994, they made a dress-rehearsal in the co-operative, with Sergio on bass, towards the concert-season to come, full of hopes and new purposes. But all hopes, as for the time, were betrayed. During one rehearse in which Andrea was (usually) absent, the other distillers well thought to call Maurizio Di Tollo to play on his drum. Andrea came and, after a meet-clash with the others, definitively went out of the band.

 

7th january 1994: Salvatore's first concert primo concerto con Salvatore

Salvatore Marchesani was a friend of Andrea’s. He played the bass with “Sine Nomine”. Fabrizio asked to him to come in the rehearse. He soon came a little bit surprised. The first bass player Fabrizio Mazzonetto, knew a pub in L’Aquila called “Petra” which wanted to listen Distillerie di Malto. He told this to Marco and, on the 7th of January 1994, they organized an evening with “Lavori in Corso” (Mazzonetto’s friends) who played as supporters. The pub was chock-full. They played extraordinarly. Since then, Salvatore hadn’t been leaving the band ever, even if, for work reasons (he was embarked), Ours “rent”, for brief periods, Sergio Civitarese (great man of music) or the same Giuliano on bass, if they had to play somewhere.

 

may 1993: victory in the “Musica dalle scuole” contest

Another important event, anothe change of bass player. Giuliano preferred to dedicate himself exclusively in his band. The made rehears in the Fabrizio’s garage. They decided to aggregate Valerio Petrosemolo, an historical bass player of Ortona (“Cogefin”, “Cart Road”). The adventure with him was very funny but so brief. Vittoria ?!! - Concorso Musica dalle Scuole Unless, they had the time to play in Francavilla (CH), in an important benefit event and, above all, to win the prize “Musica dalle scuole” organized by the “InformaGiovani” centers of Ortona and Perugia. They carried this songs: “Thick as a brick” (first ten minutes version), “Hoedown” with Fabrizio on bass and “The mirror” an historical song of Distillerie. P.S.: the compére of that event was Maurizio Di Tollo.

 

20th february 1993: first gig in a pub

Gianluca Di Renzo concluded his active collaboration with the “distillers”, coming back his variegated musical experiences. The four found an excellent element in Giuliano Torelli, to continue thier way. Giuliano played the bass in anoter band: “Smelling brains”. They had into their program a concert in one of the few pubs in the city to play in: “Underground pub”. They had to share the show with almost another band, to fill the whole evening up. So they chose Distillerie di Malto. It was a very good occasion: they were playing in a pub al least. People coming in a live-pub, is there to listen to the music first. This stimulated them. Fabrizio presented on stage with his half painted black and white face. They played hard. Besides, they performed for the first and last time one own song (“Il lamento dell’omertà”), which, without real resons, wasn’t played anymore.

 

 

24th april 1992: first entire progressive gig

Cesare went out, going back to his original instrument. After several changes of rehearse-hall, they estabilished into the AVIS room of Ortona. They shared it with another rock band: “Nowayout” (Maurizio Di Tollo played with them. Here, “Allegro con brio” and “Phoebus” gave the birth.  The covers were becoming more nomerous too. They had made a little summer tour in the squares and streets of Ortona, where they proposed different kinds of music (“No woman no cry” and “While my guitar gently wheeps” amongst the others), together with prog stuff. At least, in a benefit performance organized by “Amici per la vita” association, they had the possibility to do a more “substantial” concert. On the 24th of April the played, sharing the scene with Nowayout, in the Odeon Theatre of Ortona. Their guitarist (Gianluca Di Renzo) played the bass. The hall was full. No non-prog pieces founded. Genesis, Yes and own songs. Till then, today it always go in that manner.

 

5th may 1991: first live performance of a progressive piece

The first benefit performance of a long range, coinceded with the first live execution of a prog piece. At the time, they changed the rehearse site, to stay nearer Ortona: Andrea’s country house (C.da Gagliarda). Fabrizio had been dazzling from rock progressive since almost a hear. He always tempted to inculcate in the others the spirit prima di Prog Rock and greatness of this genre. For him, it was incredible when the rest of the band showed him the desire to play those songs live. They tried, and the pleasure they feltprima di Prog Rock was immense. Distillerie di Malto had absolutely and irremediably entered in the extraordinary world of progressive rock. In the evening of 5 May 1991, behind a six hundreds of persons, after “Confortably numb” of Pink Floyd (with Fabrizio Mazzonetto on bass as guest), they played “Watcher of the skies” of Genesis. It was astonished. That felling is and will be alive for ever within the truest a realest soul of the group.

 

 

march 1991: first concer in theathre

For the carnival of 1991, some guys organized an event in the Dino Zambra Theathre of Ortona. Distillerie di Malto were called to play as the main group. In the meantime, they started to insert in the repertory several covers of the bands they love most (Pink primo concerto in teatro Floyd, above all, but even Who, in addition, Fabrizio and Marco were proposing the live version of “Confessioni di un malandrino” of Angelo Branduardi). Fabrizio Mazzonetto stabilished to L’Aquila. They took as bass player a young guitarist of Ortona: Cesare Paolini. The most appreciate song was “Shine of you crazy diamond” with Daniele Mazzoccone on sax as guest. It was the first concert in a theathre. First great sensation.

 

13th january 1990: first contest

Another way to show oneself: the fatidical, usual, maybe dreary contest. In Balsorano (L’Aquila) they were organizing one: the contest “Vinci Sanremo” 1990. The story was all built from a series of strange events. Thay carried the instruments, as they were sure to play live. It wasn’t so, each brought a musical base to sing on. They didn’t have it, but they were allowed to play live for a two minutes sound check, after climbing up their instruments with some difficulties. Then they knew that maximum during of a piece had to do of four minutes. They had prepared “Seven flies of my eyes”, 12 minutes long! It was not necessary to continue, even if Fabiano, who was engaged in the navy, had done mortal jumps to be present there. They hardly convinced the organizers to give them back money for the enrolment, and they went home. This was the first contest of Distillerie di Malto!

 

december 1989: first reward (one pint of beer!)

They began to search more space, and, perhaps, some pubs in which they can play live (their longway dream). Even a birthday party could go well. So they said yes to the invitation of a girl who wanted to celebrate her birthday in her father’s pizzeria. Amongst the several songs, they propose a very strange version of “Happy birthday to you”! All went on so well. Each of them obtained one pint of beer. This was the first payment the band received.

 

1989: Marco's arrival

Months went on and Ours continued to improve old pieces (we can remember “Some more beer”, “Free guitars”, Starlight”) and to add other songs maybe with the addition of texts (“Seven flies in my eyes”). Fabrizio was the only having the check to place himself behind a microphone andFabrizio Mazzonetto he did it. But now, a new problem went out: they had to find another guitarist, who had to help him when he had to sing, less acoustic if possible and able to twist over the songs, plus a due bass player. The choice made for Marco Angelone (Fabrizio had known him in some football fields of Ortona) who, after two performances in the above mentioned grape society (which had become the centre for the rehearses), proposed an old friend of him as bass player: Fabrizio Mazzonetto. The band was complete, the adventure was becoming serious!

 

 

 

 

late 1988: the name

After rehearses and walks along Ortona’s main street, the search of a name which had to be right to the musical style and the “out” spirit of the group was becoming more impelling. Fabrizio’s choices were too universal, those of Andrea were too strange. Fabiano was crazy! In fact, it was just him, during an evening walk, to tell to Fabrizio: “Distillerie di Malto”. Beautiful, strange, different, clever, right. “I’d just say yes” answered Fabrizio.

 

late 1988: first gig

The need to performlive began to grow up. The right opportunity was one of the several parties they organized in the grape co-operative society fo Rogatti (an hamlet of Ortona), where Fabrizio’s father was a member. They agreed with the organizers and the thing was possible. The repertory was, unlike all new bands, exclusively self-made and only instrumental (Fabrizio did not venture to the voice yet). All just hard to hear, as you see. But they didn’t care, the party went on and all was right. You have to notice that at the time they hadn’t conceived a proper name yet, however, it was the end of 1988 and this was the first concert of Distillerie di Malto.

 

june 1988: first rehearse

They needed to find a right spot to rehearse. In the house of Andrea’s grandmother, there was a room in the second floor which still had given sala pove a Vallevò hospitality the other’s two nephews’s band (the Veri’s brothers) in the past. The step was short. They carried their instrument there and began to play. It was 1988 and was the band’s first official rehearse.

 

1988: beginnings

On the A boy coming from Ortona, Massimo Bruni, being tired to excel in the footbal fields of the city, wanted to venture in that of music. So he became to call some friends he knew they play the various instruments (he was the singer). Another friend held an available site to make practice. That’s ok! There was only some little things that didn’t go right: above all, the place didn’t was so warm, as it were the warehouse of the farm of his friend’s father. Still not so bad, bud the father’s job was a Funeral Office. They were forced to rehearse between several coffins and crucifixes, engaged, above all, not to tread on some tombstones! Then, the most important fact, the music he wanted to play don’t stimulate the other at all (Umberto Tozzi, Toto Cutugno and so on). And so, the project vanished. The most important evenience was that the musicians he called, and they only there knew thereselves, were: Andrea Veri on drums, Fabiano Cudazzo on keyboards and Fabrizio Pellicciaro on guitar. The feeling between them soon gave raise. They started to make plans to play together that “different” music they wanted. It was 1988, the adventure was beginning.